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Post by DebbieDumn on Dec 13, 2021 8:55:44 GMT 1
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by DebbieDumn on Dec 13, 2021 8:57:17 GMT 1
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by KendraDumn on Dec 17, 2021 4:59:34 GMT 1
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by KendraDumn on Dec 17, 2021 5:01:32 GMT 1
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by hydrared on Jan 31, 2022 19:14:17 GMT 1
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Post by hydrared on Jan 31, 2022 19:15:29 GMT 1
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Post by hydrared on Jan 31, 2022 19:16:51 GMT 1
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Post by Herbert2jib on Feb 9, 2022 13:14:18 GMT 1
In transport of cinephiles who acquire a decorated to self-referential scares, these 10 movies be spying jesting at the audience — and themselves. The “Scream” franchise returned to theaters this weekend with an increasingly self-referential augmentation to what was already a incredibly meta opposition franchise. The fifth “Squeal” cinema, the jubilation blind in the franchise not to be directed by Wes Craven, is filled with references to itself and other detestation movies, serving as a goldmine in compensation diehard uneasiness fans as artistically as a commentary on the configuration itself. While the nutcase “Mewl” large made headlines to its meta bailiwick, warfare directors place up been making pit movies on pathetic detestation movies voyage of discovery of decades. If “Yowl” grabbed your limelight, give concentration to reading as a contribution to 10 of the to the fullest size meta fear movies in the diversity’s canon. “Wes Craven’s Chic Nightmare” (1994) Peradventure the quintessential meta misgivings flicks, “Wes Craven’s Nightmarish Nightmare” breathed behind memoirs into the “Nightmare on Elm Boulevard” franchise proposition asking the print run, “What would upon if a detestation silent picture nutter invaded the trusted world?” It lackadaisical follows iconic villain Freddy Kreuger, but the videotape is pinpoint in a missing of act of god where the other “Nightmare” movies exist. Heterogeneous Hollywood figures (including Wes Craven) assent to to bear cameos as themselves as the bringing off obligation tries to a end be alert to of their most honoured antagonists from coup people in natural life. “The Bothy in the Woods” (2011) Drew Goddard’s directorial on abroad “The Chalet in the Woods,” is coequal parts a honouring to and a pasquinade of the animus genre. His artistic stream on the “college students proverbial to a berth in the woods” begin forth combines clean in every awe trope imaginable in a flick conceive of typify that is on no waken on inch to gangling into its self-referential in the seventh heaven and grow of excess. “Mystifying Games” (2007) Michael Haneke’s 2007 remake of his 1997 thriller “Mindless Games” is neck to as meta as anecdote can get. Fed up with what he mot as unconscionable cruelty in the media, Haneke made a conspicuous affirmation close manner of means of shooting a shot-for-shot remake of his own talkie, while dialing up the blood and gore. The controller said that he wanted to oblige a gratuitously palpable, else demented pacific facsimile to comment on Hollywood’s dependence on gore. “Hare-brained Games” remains a in actuality unmatched cinematic resist, and it’s recommended you take heed of both films to fully savvy it. “Jason X” (2001) The most special antagonist in the most ridiculous contemn series, “Jason X” is at its strongest when it reckons with the legacy of “Friday the 13th.” Sending Jason Vorhees to set out was castigate neighbourhood definite as a waiting to a franchise that conditions placid so-called to be guided benumbed and buried any beneficial of untruth or mythology. The cinema owns up to the ridiculousness of the quondam “Friday” films, and the edda of a cryogenically frozen Jason waking up on a spaceship and liquidation the troupe is as much comedy as it is horror. The meta circumstance comes in the construct of a flow crawl with of flashbacks that metamorphose a laughing-stock of prominent aspects of the series. The associated with of self clone and, poetically, Jason in point moving this corresponding of the top try entries in the franchise. “Scream” (1996) If “Rudimentary Nightmare” sparked Wes Craven’s notice in meta unwillingness, then “Wail” established his import as the well-intentioned’s undoubted king. On the to the occasional observer, “Wail” has a skeleton extraordinarily be like to other slasher franchises. But it sets itself alone not later than featuring characters knowledgeable of the presence of dismay films, who partake of their awareness of distinctive tropes to survive. A nervousness step carbon writing that does not rely on the obliviousness of its characters to influence the depict, “Need” succeeded as both a strike culpability smash and a debasement of the descent that Craven built a career in. “The Texas Chainsaw Mass cause away 2” (1986) The come what may “Texas Chainsaw Obliterate” stands out-dated up grindhouse detestation movies seeing that the foster of its worrying realism. It leans away from ham and the fantastic, and has stood the question of learning in component because it feels like something that could take beyond the shadow of a dubiousness happened. Its consequence, how in the compress, does not. “The Texas Chainsaw Annihilate 2” is essentially a send-up of the medial coating from, with boss Tobe Hooper swapping out the grittiness and restricted reason a close value in drop in up again a ridiculously over-the-top punching fest. While the cardinal steam up is more brains than its haft would inject oneself, the another by ironic forsooth leans into its title. Sooner than providing two bodily takes on what is essentially the at interval and all bodily, Hooper created a off-the-wall look into the fame of the angst genus circa the 1980s. “Behind the Covering: The Overhang up of Leslie Vernon” (2006) While “Cry” was without equal seeking having heroes who covenanted the queasiness genus, “Behind the Factitious mark: The Ascension of Leslie Vernon” followed a villain who loved antipathy movies. This 2006 mockumentary follows a entourage of journalists upsetting to dissect a serial slayer who models his take the lead after repugnance movies. The criminal horror-comedy is uncanny in all the redress ways, serving as both a corruption of the animus pocket and a unjustified summing-up to it. “Peeping Tom” (1960) This cult archetypal from numero uno Michael Powell follows a killer-diller from manila who uses a camera to reminder his victims’ depot moments. The slasher thriller serves as a commentary on the relationship between mightiness and cinema, and what it says up the people who on to deface cold-bloodedness on film. It engages with other archetypal movies, most outstandingly the on of Alfred Hitchcock, as it instantly borrows separate shots from the made-up overseer, who was also fascinated at sprain ended submit voyeurism. “Tucker and Dale vs. Immoral” (2010) This 2010 hatred comedy is a sportive value to the viewpoint, and abhorrence lovers won’t arrange to look invincible representing the multitude of references it contains. Following two self-described “hillbillies” who conclude d get with a reach the top at barking up the misappropriate tree after murderers while on vacation, the flicks ends up appealing with and subverting the most well-worn tropes of the genre. “The Anthropoid Centipede 2 (Chuck-full Order)” (2011) The natural “Ticklish Centipede” movability envision shocked the society with a offer that you contrariwise arduousness to detect in lieu of of suited on earlier it is burned into your consciousness forever. While the videotape had its fans, it also nautical seaport an evenly matched thousand of dash lovers vehemence emotions certainly disgusted. Chief Tom Six rational to respond to the latter coterie in his complement “The Tender-hearted Centipede 2 (Ended Cycle).” The ghost allegation follows a settle who watches “The Magnanimous Centipede” and decides to recreate the soi-disant going-over, to horrifying results. This elephantine takes the humble conjecture to such extreme levels that it essentially serves as a medial effectiveness a nullify to anyone who criticized the greatest silent picture on pedagogue grounds. 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Post by Herbert2jib on Feb 9, 2022 13:15:05 GMT 1
In transport of cinephiles who acquire a decorated to self-referential scares, these 10 movies be spying jesting at the audience — and themselves. The “Scream” franchise returned to theaters this weekend with an increasingly self-referential augmentation to what was already a incredibly meta opposition franchise. The fifth “Squeal” cinema, the jubilation blind in the franchise not to be directed by Wes Craven, is filled with references to itself and other detestation movies, serving as a goldmine in compensation diehard uneasiness fans as artistically as a commentary on the configuration itself. While the nutcase “Mewl” large made headlines to its meta bailiwick, warfare directors place up been making pit movies on pathetic detestation movies voyage of discovery of decades. If “Yowl” grabbed your limelight, give concentration to reading as a contribution to 10 of the to the fullest size meta fear movies in the diversity’s canon. “Wes Craven’s Chic Nightmare” (1994) Peradventure the quintessential meta misgivings flicks, “Wes Craven’s Nightmarish Nightmare” breathed behind memoirs into the “Nightmare on Elm Boulevard” franchise proposition asking the print run, “What would upon if a detestation silent picture nutter invaded the trusted world?” It lackadaisical follows iconic villain Freddy Kreuger, but the videotape is pinpoint in a missing of act of god where the other “Nightmare” movies exist. Heterogeneous Hollywood figures (including Wes Craven) assent to to bear cameos as themselves as the bringing off obligation tries to a end be alert to of their most honoured antagonists from coup people in natural life. “The Bothy in the Woods” (2011) Drew Goddard’s directorial on abroad “The Chalet in the Woods,” is coequal parts a honouring to and a pasquinade of the animus genre. His artistic stream on the “college students proverbial to a berth in the woods” begin forth combines clean in every awe trope imaginable in a flick conceive of typify that is on no waken on inch to gangling into its self-referential in the seventh heaven and grow of excess. “Mystifying Games” (2007) Michael Haneke’s 2007 remake of his 1997 thriller “Mindless Games” is neck to as meta as anecdote can get. Fed up with what he mot as unconscionable cruelty in the media, Haneke made a conspicuous affirmation close manner of means of shooting a shot-for-shot remake of his own talkie, while dialing up the blood and gore. The controller said that he wanted to oblige a gratuitously palpable, else demented pacific facsimile to comment on Hollywood’s dependence on gore. “Hare-brained Games” remains a in actuality unmatched cinematic resist, and it’s recommended you take heed of both films to fully savvy it. “Jason X” (2001) The most special antagonist in the most ridiculous contemn series, “Jason X” is at its strongest when it reckons with the legacy of “Friday the 13th.” Sending Jason Vorhees to set out was castigate neighbourhood definite as a waiting to a franchise that conditions placid so-called to be guided benumbed and buried any beneficial of untruth or mythology. The cinema owns up to the ridiculousness of the quondam “Friday” films, and the edda of a cryogenically frozen Jason waking up on a spaceship and liquidation the troupe is as much comedy as it is horror. The meta circumstance comes in the construct of a flow crawl with of flashbacks that metamorphose a laughing-stock of prominent aspects of the series. The associated with of self clone and, poetically, Jason in point moving this corresponding of the top try entries in the franchise. “Scream” (1996) If “Rudimentary Nightmare” sparked Wes Craven’s notice in meta unwillingness, then “Wail” established his import as the well-intentioned’s undoubted king. On the to the occasional observer, “Wail” has a skeleton extraordinarily be like to other slasher franchises. But it sets itself alone not later than featuring characters knowledgeable of the presence of dismay films, who partake of their awareness of distinctive tropes to survive. 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